“To our wonderful lives” is a play.

There are moments when the room darkens and among the set, a square shape lights up on a wall. There were two cases. In the first one, what was being broadcast came from what one of our cameramen (woman) in the room was filming. Our cameraman (woman) was sometimes involved in the story of the play, but their other role was to film the capture of the performance. In the second case, it was a projection. One of the many video excerpts that had been recorded as an appendix to the production of the play. The excerpts broadcast at that time had been designed to use a technique taken from cinema: breaking down the 4th wall. The spectator goes out of the story and becomes aware that what he is looking at is false that it is just a play. During these moments, the author, through his play, could communicate more directly with the spectator. We made all the video excerpts projected on the screen during the performance.